You can support the project and receive a different 7″ record each month from one of us 12 bands; I’m one of them! https://www.kickstarter.com/projects/861413047/jalopy-records-seven-inch-subscription-series/widget/video.html
Thanks for being here! Please enjoy the different sections I have laid out, including my performance calendar, music samples, and information about where and when I’m playing and in what configuration. This “front page” you’re reading now is sort of a sparse blog where I have made announcements now and then, but the information is organized and contained within the ancillary pages, which are listed just a bit below the top of the screen, and titled “BIO” “CALENDAR” and things like that.
I WILL BE PERFORMING AT THE BROOKLYN FOLK FESTIVAL April 8 2016, Jorma Kaukonen’s FUR PEACE RANCH April 23 2016, and the WINNIPEG FOLK FESTIVAL July 8-10 2016, among [many] other places. I hope to see you at my shows!
Saturday, December 12, at 8 p.m.
Two of our favorite performers, Craig & Meredith renew songs taken from 78s and old cylinders recorded before any of us were born—old vaudeville tunes and popular songs: Eubie Blake and Scott Joplin are no strangers here and Blind Blake is an old, familiar friend. In other words, Tin Pan Alley at its best is what these two are up to! Craig, whose casual virtuosity was honed on the street corners of San Francisco, takes up the most complicated guitar arrangements and swings them with rhythmic verve. Craig was the guitarist in the ragtime-revival trio “Bo Grumpus.” And you may have heard him featured on the soundtracks for Terry Zwigoff’s films “Crumb” and “Ghost World.” Meredith, whose rich contralto seems to emerge from a ‘20s recording—her version of Bessie Smith’s “Backwater Blues” comes to mind—also plays superb rhythm guitar. Together they’re likely to make us believe the shop is an old speakeasy and the ‘20s high rollers are still rolling. Ain’t we got fun!
Craig Ventresco is the most “authentic” neo-ragtime/acoustic blues wrangler in the country…his commitment to this stuff is admirable; in a way, it’s the same kind of proselytizing fervor that fired Clapton and the original Rolling Stones.” – Joe S. Harrington, New York Press
“Meredith Axelrod sings and plays guitar as if she really returned to the pre-mic days. We’re not talking revisionist copy of so and so from way back when; we’re talking as if we plucked an original out of the era and time-traveled her to bless us with a taste of who we were when we had guts.” – JL Stiles
“Craig Ventresco and Meredith Axelrod make very good music together . . . “ – from the review of their CD, Craig Ventresco & Meredith Axelrod, by Jack Rummel
Tickets are $20 in advance, $25 at the door
Call for tickets: 415-789-0846
I’m nearly back in town, and I’ll make appearances, which are listed on my calendar page, at many of my regular places; I hope you can make it out. I’ll play a house concert in Point Richmond, and a concert with Craig Ventresco at Bird & Beckett Books and Records in Glen Park. Here’s the information.
Meredith will transport you musically as she channels jazz,
blues, country and pop of the 1890’s through the 1930’s
learned from 78 rpm records of that era. Live streaming at
Casa Verde Kitchen Music -Friday November 6
Arrive: 6:30- 7:30 PM, Music at 7:30 PM
Donation at the door: $15 – $ 25
Potluck and BYOB
A return engagement of San Francisco’s finest interpreters of early jazz, vaudeville, rural blues, ragtime and popular tunes! Click here to listen to their duo guitar performance of Cold Mornin’ Shout.
Craig Ventresco was lured out to San Francisco from Maine in 1987 by the promised riches of the musician’s life to be had here. Like Rick with regard to Casablanca’s fabled waters, he was misinformed. Nonetheless, he has managed to ply his trade here for decades, and is known internationally as a virtuoso of the guitar and historian of early American popular music. He sings a bit as well, which is always a pleasure to hear.
Craig is deeply familiar with all manner of turn-of-the-20th-century popular music, gleaned from years of collecting old cylinders and 78 rpm records after glomming onto the music as a toddler. “I love all kinds of music from the turn of the century–” he says, “ragtime, waltzes, marches.” On hearing Craig, the late great San Francisco critic Phil Elwood had the revelation that “to see the future, you only need to go back in time.”
You may have first heard Craig in Bay Area clubs and festivals with Pete Devine and Marty Eggers in the trio called Bo Grumpus back in the late 1980s, or in recent years playing solo and in duo with Meredith Axelrod (Craig and Meredith continue to play regularly at the Atlas Cafe). He has been acclaimed on the festival circuit the world over. He’s played solo guitar and duets with Bucky Pizzarelli at the Atlanta Jazz Party, has opened for Reverend Horton Heat, and has been featured on the soundtracks of two memorable films: “Crumb” and “Ghost World.”
Without doubt, Craig is among the most important musicians San Francisco can boast, a versatile multi-instrumentalist of the strings and a profound historian of popular music from the late 1800s through the depression era.
Meredith Axelrod is recently back from an engagement with Jim Kweskin and the Jake Leg Stompers in Nashville and as a duo with Kweskin at the Kentuck Festival in Northport, Alabama after a September swing through Portland and Seattle. She’s a fine, uncanny singer and a multi-instrumentalist with great rhythmic drive and a sure grasp of early jazz, rural blues and the many pop music genres of the early 20th century, learned from a deep immersion in old 78s.
As a solo artist, Meredith has headlined her own shows at the Steve Allen Theater in Hollywood, opened for the Cheap Suit Serenaders at the Freight & Salvage in Berkeley, opened for David Bromberg at the Sweetwater Music Hall, and toured as far as Australia and New Zealand.
Meredith leads her own hot jazz and string bands, and is heard frequently around the Bay and further afield in a duo with Craig Ventresco, performing at the San Francisco Silent Film Festival, Freight & Salvage, the West Coast Ragtime Festival, the Blind Boone Ragtime and Early Jazz Festival and countless small clubs and cafes. Her duo and small group performances with Jim Kweskin have included a recent appearance at the fabled McCabe’s in Santa Monica as well as recent Nashville and Northport, Alabama dates. She has also played with Frank Fairfield, Dan Hicks, Maria Muldaur, Geoff Muldaur, Ramblin’ Jack Eliot, Cindy Cashdollar, David Grisman, Bill Keith, Terry Zwigoff, Robert Crumb, and the Cheap Suit Serenaders, and has toured domestically and internationally.
Click here for When I Was a Cowboy with Craig and Meredith on guitars, and Meredith’s vocal.